jack vettriano prints

In the mighty painting history, if we read the history of painting , we can feel the painting is actually not difficult to be a human language , a language of images . Painter painting jack vettriano prints in brush marks , which we call a stroke . Painting , the birth of any image must depend on some traces of brush strokes to finish , from the beginning to the end , we can say the process is a brush , and also a painter to express the feelings of the process. Strokes constitute a work can not be avoided language vocabulary.

When painters brush , with paint thickness , adjusting mixture of shades, put pen to paper weight , the speed and dyed brush artistically so in shaping the image of the rich but also reflects the mood changes . Strokes as a way to shape the image of art , itself also has some aesthetic factors. Strokes from classical paintings trace shape ( also a stroke broadly ) to Impressionism , all the rich modernist movement of the point , line and surface , we can clearly comprehend the artist's personality charm. Of course , changes in the historical evolution of strokes and related materials , and cultural developments , and aesthetic era ...... and so on . So far, the contemplation of the entire history of painting , revealing the evolution of the track strokes , help us to form artistic style , The Singing Butler prints to help raise the level of creation .

Historical evolution of paint strokes . By comparing the works of many artists use brush strokes , we found traces of different painters showing a different look, as we Angell that smooth, smooth , delicate screen, almost no trace of the brush ; in Montreal an inside "patterning " series box also seems invisible traces of brush strokes ; while de Kooning we are able to see the screen clearly exposed stroke movement ; see the approximate violent brush strokes flow from sudin works . Screen these apparent or obvious brush strokes , I am here to put them into the dominant and recessive strokes strokes . I think from these dominant, recessive strokes , you can see the artist 's inner state at that time , calm or agitated mood, as well as a painter different artistic styles. Shanghai studio

Speaking oil painting strokes historical evolution , we first develop the material changes from the start. Paintings produced in the fifteenth century Nordic Flanders (Flanders), is widely recognized as the world's first piece of canvas is a real sense of the works of Van Eyck , " Ghent Altarpiece ," he used tempera paint ( Tempera) painted on very smooth and polished white pigment bottom with brown Indian ink made especially fine drafts , assign color with a soft brush strokes but not obvious , transparent oil color ( the color of the mineral grinding time modulation well, in a small bag of pig bladder do save ) , on this foundation cover dyed several times to get rich and delicate color effects , and this is the first transparent painting , spread to become the representative of painting in Western Europe . This followed the painting for quite some time , the middle through Italy, Spain and the Nordic Renaissance , there has been Leonardo da Vinci, Raphael, Michelangelo , Titian , Velazquez and other masters .

Comprehensive skills from an early painting of Van Eyck began to Rubens era , or even the 18th century , although the painting scene, tactics vary, but most artists begin with a multilayer painting as a means , it can be referred to as transparent painting classical painting or indirect , with the tacit its multi- strokes . Classical paintings almost can not find a full stroke gap, which is characteristic of the time , materials, tools inseparable . Italian painting appears the word " direct method " the fifteenth century , but only as a secondary means of a slave , not an important part of painting for , or improvise when painting the design drafts . We can see from the seventeenth century painter Rubens paintings that Rubens has noticed brushwork in vivid, lively sense of its picture , and his bold and ingenious strokes to shape the face moist and performance and hair are inseparable. His painting is no longer a delicate color sketch shape . Netherlands first distinguished painter Rubens contemporary Frans Hals (Flans Hals), using direct painting portraits brought to his lifelike effect. From his bold , free and unconventional brush techniques , enabling him to quickly grasp the fleeting impression. In his earlier portraits , painted obviously very patient. Sometimes we feel that in order to allow the artist to paint every detail carefully , models must sit for a long time , can never seem to let his Hals fatigue models , we seem to see in his bold brushwork and clever draw magical fluffy hair ......

Seventeenth-century Spanish master Velazquez gives " direct method " independent character, making it the primary means of drawing shapes . We see from the " spinners ", the Velazquez has emerged from the " vignetting Law" to create a " split strokes " approach artists to freely develop their imagination charm.